<?xml version="1.0" encoding="utf-8" ?> <rss version="2.0" xmlns:opensearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom"> <channel> <title> <![CDATA[ Search for 'Provider:STUDIO']]> </title> <link> /cgi-bin/koha/opac-search.pl?q=ccl=Provider%3ASTUDIO&#38;sort_by=relevance&#38;format=rss </link> <atom:link rel="self" type="application/rss+xml" href="/cgi-bin/koha/opac-search.pl?q=ccl=Provider%3ASTUDIO&#38;sort_by=relevance&#38;format=rss"/> <description> <![CDATA[ Search results for 'Provider:STUDIO' at ]]> </description> <opensearch:totalResults>83</opensearch:totalResults> <opensearch:startIndex>0</opensearch:startIndex> <opensearch:itemsPerPage>50</opensearch:itemsPerPage> <atom:link rel="search" type="application/opensearchdescription+xml" href="/cgi-bin/koha/opac-search.pl?q=ccl=Provider%3ASTUDIO&#38;sort_by=relevance&#38;format=opensearchdescription"/> <opensearch:Query role="request" searchTerms="q%3Dccl%3DProvider%253ASTUDIO" startPage="" /> <item> <title> CENTURY OF BRITISH PAINTING 1851-1951 </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=710</link> <description> <![CDATA[ <p> By BERTRAM ANTHONY.<br /> LOND. STUDIO PUBLICATIONS 1951 .<br /> 240 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=710">Place hold on <em>CENTURY OF BRITISH PAINTING 1851-1951</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=710</guid> </item> <item> <title> UNDERSTANDING ART </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=711</link> <description> <![CDATA[ <p> By BERRY A M.<br /> LOND. STUDIO 1952 .<br /> 136 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=711">Place hold on <em>UNDERSTANDING ART</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=711</guid> </item> <item> <title> MAGIC OF LINE </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=712</link> <description> <![CDATA[ <p> By BRADSHAW P V.<br /> LOND. STUDIO 1949 .<br /> 112 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=712">Place hold on <em>MAGIC OF LINE</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=712</guid> </item> <item> <title> MORE THAN SHDOWS </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=713</link> <description> <![CDATA[ <p> By PALMER ARNOLD.<br /> LOND. STUDIO 1948 .<br /> 148 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=713">Place hold on <em>MORE THAN SHDOWS</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=713</guid> </item> <item> <title> ITALIC HANDWRITING </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=714</link> <description> <![CDATA[ <p> By GOURDIE TOM.<br /> LOND. STUDIO 1955 .<br /> 96 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=714">Place hold on <em>ITALIC HANDWRITING</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=714</guid> </item> <item> <title> CHILD ART GROWS UP </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=715</link> <description> <![CDATA[ <p> By HOLMES COLLINSON.<br /> LOND. STUDIO 1952 .<br /> 95 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=715">Place hold on <em>CHILD ART GROWS UP</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=715</guid> </item> <item> <title> CRAFT OF THE SILVERSMITH </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=716</link> <description> <![CDATA[ <p> By HOLDEN GEOFFREY.<br /> LOND. STUDIO 1954 .<br /> 96 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=716">Place hold on <em>CRAFT OF THE SILVERSMITH</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=716</guid> </item> <item> <title> MODERN LETTERING AND CALLIGRAPHY </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=1087</link> <description> <![CDATA[ <p> By HOLME FROST.<br /> LOND. STUDIO 1954 .<br /> 144 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=1087">Place hold on <em>MODERN LETTERING AND CALLIGRAPHY</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=1087</guid> </item> <item> <title> REFRESHING AND DECORATING FURNITURE </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=1121</link> <description> <![CDATA[ <p> By MOULD R G.<br /> NEW YORK STUDIO PUBLICATIONS .<br /> 249 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=1121">Place hold on <em>REFRESHING AND DECORATING FURNITURE</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=1121</guid> </item> <item> <title> WATER-COLOUR </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=1255</link> <description> <![CDATA[ <p> By BRADSHAW PERCY V.<br /> LOND. STUDIO PUBLICATIONS .<br /> 127 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=1255">Place hold on <em>WATER-COLOUR</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=1255</guid> </item> <item> <title> LETTERING OF TO-DAY </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=1256</link> <description> <![CDATA[ <p> By HOLME C G ,ED.<br /> LOND. STUDIO 1949 .<br /> 143 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=1256">Place hold on <em>LETTERING OF TO-DAY</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=1256</guid> </item> <item> <title> COME SKETCHING </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=1257</link> <description> <![CDATA[ <p> By BRADSHAW P V.<br /> LOND. STUDIO 1949 .<br /> 96 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=1257">Place hold on <em>COME SKETCHING</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=1257</guid> </item> <item> <title> ART FOR CHILDREN </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=3083</link> <description> <![CDATA[ <p> By BERRY A M.<br /> LOND. STUDIO 1952 .<br /> 152 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=3083">Place hold on <em>ART FOR CHILDREN</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=3083</guid> </item> <item> <title> TEACHING ART TO CHILDREN </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=3084</link> <description> <![CDATA[ <p> By MCLEISH MOODY.<br /> LONDON STUDIO 1953 .<br /> 96 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=3084">Place hold on <em>TEACHING ART TO CHILDREN</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=3084</guid> </item> <item> <title> WOODEN TOGS FOR BOYS </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=3091</link> <description> <![CDATA[ <p> By NORMAN EDWARD.<br /> LOND. STUDIO 1955 .<br /> 64 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=3091">Place hold on <em>WOODEN TOGS FOR BOYS</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=3091</guid> </item> <item> <title> MAKING POTTERY FIGURES </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=3092</link> <description> <![CDATA[ <p> By DRAWBELL MARJORIE.<br /> LOND. STUDIO 1953 .<br /> 96 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=3092">Place hold on <em>MAKING POTTERY FIGURES</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=3092</guid> </item> <item> <title> HANDWEVING </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=3094</link> <description> <![CDATA[ <p> By BECHER LOTTE.<br /> LOND. STUDIO 1954 .<br /> 96 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=3094">Place hold on <em>HANDWEVING</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=3094</guid> </item> <item> <title> TEXTILE DESIGN </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=3095</link> <description> <![CDATA[ <p> By HUNT ANTHONY.<br /> LOND. STUDIO 1951 .<br /> 96 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=3095">Place hold on <em>TEXTILE DESIGN</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=3095</guid> </item> <item> <title> HOW TO DRAW WILD FLOWERS </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=4361</link> <description> <![CDATA[ <p> By TEMPLE VERE.<br /> LONDON STUDIO 1955 .<br /> 62 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=4361">Place hold on <em>HOW TO DRAW WILD FLOWERS</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=4361</guid> </item> <item> <title> HOW TO DRAW CHILDREN </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=4362</link> <description> <![CDATA[ <p> By POINTER PRISCILLA.<br /> LOND. STUDIO 1952 .<br /> 62 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=4362">Place hold on <em>HOW TO DRAW CHILDREN</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=4362</guid> </item> <item> <title> HOW TO DRAW WILD ANIMALS OF THE COUNTRYSIDE </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=4363</link> <description> <![CDATA[ <p> By HUNTER W S.<br /> LOND. STUDIO 1954 .<br /> 63 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=4363">Place hold on <em>HOW TO DRAW WILD ANIMALS OF THE COUNTRYSIDE</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=4363</guid> </item> <item> <title> HOW TO DRAW HORSES </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=4364</link> <description> <![CDATA[ <p> By SKEAPING JOHN.<br /> LOND. STUDIO 1950 .<br /> 62 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=4364">Place hold on <em>HOW TO DRAW HORSES</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=4364</guid> </item> <item> <title> BABY ANIMALS AN THE FARM AND HOW TO DRAW THEM </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=4368</link> <description> <![CDATA[ <p> By TEMPLE VERE.<br /> LOND STUDIO 1946 .<br /> 63 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=4368">Place hold on <em>BABY ANIMALS AN THE FARM AND HOW TO DRAW THEM</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=4368</guid> </item> <item> <title> WOOD CARVING </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=4369</link> <description> <![CDATA[ <p> By DURST ALAN.<br /> LOND. STUDIO 1948 .<br /> 80 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=4369">Place hold on <em>WOOD CARVING</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=4369</guid> </item> <item> <title> HOW TO DRAW SAIL AND SEA </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=6565</link> <description> <![CDATA[ <p> By LESZEZYNSKI MICHAL.<br /> LOND. STUDIO 1946 .<br /> 64 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=6565">Place hold on <em>HOW TO DRAW SAIL AND SEA</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=6565</guid> </item> <item> <title> CHILDREN&#39;S ART BOOK </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=7470</link> <description> <![CDATA[ <p> By HOLME GEOFFREY.<br /> LOND. STUDIO 1954 .<br /> 94 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=7470">Place hold on <em>CHILDREN&#39;S ART BOOK</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=7470</guid> </item> <item> <title> WINDOW DISPLAY </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=9153</link> <description> <![CDATA[ <p> By KROLL NATASHA.<br /> N.Y. STUDIO PUBLICATIONS 1954 .<br /> 96 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=9153">Place hold on <em>WINDOW DISPLAY</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=9153</guid> </item> <item> <title> REFINISHING AND DECORATING FURNITURE AND OTHER HOME ACCESSORIES </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=9162</link> <description> <![CDATA[ <p> By MOULD R G.<br /> N.Y. STUDIO AND CROWELL 1953 .<br /> 249 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=9162">Place hold on <em>REFINISHING AND DECORATING FURNITURE AND OTHER HOME ACCESSORIES</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=9162</guid> </item> <item> <title> PAINTING A PORTRAIT </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=9257</link> <description> <![CDATA[ <p> By LASZLO P A.<br /> LONDON STUDIO 1947 .<br /> 79 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=9257">Place hold on <em>PAINTING A PORTRAIT</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=9257</guid> </item> <item> <title> FLOWERS AND BUTTERFLIES </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=9273</link> <description> <![CDATA[ <p> By TEMPLE VERE.<br /> LONDON STUDIO 1946 .<br /> 95 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=9273">Place hold on <em>FLOWERS AND BUTTERFLIES</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=9273</guid> </item> <item> <title> I WISH I COULD PAINT </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=11292</link> <description> <![CDATA[ <p> By BRADSHAW HASLEHUST.<br /> LOND. STUDIO 1954 .<br /> 96 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=11292">Place hold on <em>I WISH I COULD PAINT</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=11292</guid> </item> <item> <title> APPROACH TO GREEK ART </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=11881</link> <description> <![CDATA[ <p> By SELTMAN CHARLES.<br /> LOND. STUDIO PUBLICATIONS 1948 .<br /> 132 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=11881">Place hold on <em>APPROACH TO GREEK ART</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=11881</guid> </item> <item> <title> WAY OF WOOD ENGRAVING </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=11885</link> <description> <![CDATA[ <p> By BRABY DOROTHEA.<br /> LOND. STUDIO PUBLICATIONS 1953 .<br /> 95 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=11885">Place hold on <em>WAY OF WOOD ENGRAVING</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=11885</guid> </item> <item> <title> MAKING POTTERY </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=12382</link> <description> <![CDATA[ <p> By DE SAGER W A.<br /> LOND. STUDIO 1952 .<br /> 96 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=12382">Place hold on <em>MAKING POTTERY</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=12382</guid> </item> <item> <title> FASHION DRAWING </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=12392</link> <description> <![CDATA[ <p> By MARSHALL FRANCIS.<br /> LOND. STUDIO 1948 .<br /> 96 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=12392">Place hold on <em>FASHION DRAWING</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=12392</guid> </item> <item> <title> DRESSING THE PLAY </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=12395</link> <description> <![CDATA[ <p> By LAMBOURNE NORAH.<br /> LOND. STUDIO 1953 .<br /> 96 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=12395">Place hold on <em>DRESSING THE PLAY</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=12395</guid> </item> <item> <title> RUSSIAN ART FROM SCYTHS TO SOVIETS </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=12886</link> <description> <![CDATA[ <p> By BUNT C G E.<br /> LOND. STUDIO 1946 .<br /> 272 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=12886">Place hold on <em>RUSSIAN ART FROM SCYTHS TO SOVIETS</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=12886</guid> </item> <item> <title> HOW TO DRAW CARS </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=14747</link> <description> <![CDATA[ <p> By WOOTTON FRANK.<br /> LOND. STUDIO 1955 .<br /> 64 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=14747">Place hold on <em>HOW TO DRAW CARS</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=14747</guid> </item> <item> <title> DESIGNING FOR THE STAGE </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=15841</link> <description> <![CDATA[ <p> By ZINKEISEN DORIS.<br /> LOND. STUDIO 1948 .<br /> 79 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=15841">Place hold on <em>DESIGNING FOR THE STAGE</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=15841</guid> </item> <item> <title> DECORATIVE ART </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=18139</link> <description> <![CDATA[ <p> By STUDIO PUBLICATIONS.<br /> LOND. STUDIO 1958 .<br /> 148 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=18139">Place hold on <em>DECORATIVE ART</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=18139</guid> </item> <item> <title> Pattern making for schools </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=20630</link> <description> <![CDATA[ <p> By Gourdie,Tom.<br /> LOND Studio pub. 1959 .<br /> 94p. </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=20630">Place hold on <em>Pattern making for schools</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=20630</guid> </item> <item> <title> MAKING A POSTER </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=21742</link> <description> <![CDATA[ <p> By COOPER AUSTIN.<br /> LOND. STUDIO 1949 .<br /> 96 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=21742">Place hold on <em>MAKING A POSTER</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=21742</guid> </item> <item> <title> DECORATIVE ART 50 1960-61 </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=23565</link> <description> <![CDATA[ <p> By DAVIS TERENCE.<br /> LOND. STUDIO 1960 .<br /> 172 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=23565">Place hold on <em>DECORATIVE ART 50 1960-61</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=23565</guid> </item> <item> <title> Studio book of flowers and flower arrangements </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=23867</link> <description> <![CDATA[ <p> U.S.A. Studio Publication, Inc. 1956 .<br /> 224p. </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=23867">Place hold on <em>Studio book of flowers and flower arrangements</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=23867</guid> </item> <item> <title> DECORATIVE ART IN MODERN INTERIORS </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=24707</link> <description> <![CDATA[ <p> By CONNRAN SHIRLAY.<br /> LOND. STUDIO 1961 .<br /> 160 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=24707">Place hold on <em>DECORATIVE ART IN MODERN INTERIORS</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=24707</guid> </item> <item> <title> MOATOPIA </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=25139</link> <description> <![CDATA[ <p> By JELLICOE G A.<br /> LONDON STUDIO 1961 .<br /> 165 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=25139">Place hold on <em>MOATOPIA</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=25139</guid> </item> <item> <title> GAMES AND NUMBER </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=32897</link> <description> <![CDATA[ <p> By DERRY LISE.<br /> LOND. STUDIO VISTA 1965 .<br /> 80 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=32897">Place hold on <em>GAMES AND NUMBER</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=32897</guid> </item> <item> <title> FLOWER FOR EVERY DAY </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=32926</link> <description> <![CDATA[ <p> By FISH MARGERY.<br /> LONDON STUDIO VISTA 1965 .<br /> 208 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=32926">Place hold on <em>FLOWER FOR EVERY DAY</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=32926</guid> </item> <item> <title> Exploring the past </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=32934</link> <description> <![CDATA[ <p> By Bailey, K. V..<br /> London Studio Vista 1965 .<br /> 80p. </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=32934">Place hold on <em>Exploring the past</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=32934</guid> </item> <item> <title> DRAWING LESSONS FROM THE GREAT MASTERS </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=33626</link> <description> <![CDATA[ <p> By HALE ROBERT BEVERLY.<br /> N.Y. STUDIO VISTA 1965 .<br /> 271 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=33626">Place hold on <em>DRAWING LESSONS FROM THE GREAT MASTERS</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=33626</guid> </item> </channel> </rss>
